March 11, 2015
Rich Clarkson buries his hands in one of those boxes, sifting through the hundreds of photographs inside, searching for memories. He could reach into any one of these boxes and pull out a spellbinding shot: politicians, auto accidents, carnage from a tornado.
He draws out a photo of Stan Musial, close to retirement, hunched over and alone on the St. Louis Cardinals bench.
Next, he draws out a sequence of photos from the 1972 Munich Olympics: A Russian basketball player holding his arms up triumphantly, followed by three American players. One looks like his stomach is trying to wring out its contents. Another is angry. The last looks to be in deep shock. The U.S. had just lost the Olympic gold-medal game, in controversial style, to the Russians.
They’re the types of images for which Clarkson is best remembered – moments that reflect a deeper humanity that influenced the way people look at sports. Clarkson focused not just on the action, but also on the defining moments that came before the big games and after the big shots. He developed a signature low-angle style shot from a camera placed just off the baseline and pioneered the mounting of cameras behind backboards and above locker rooms to capture unique perspectives.
College sports was his preferred canvas for capturing those innovative illustrations of significant moments. It took him to dozens of Final Fours, where he captured some of the most memorable and reproduced images from the tournament: University of Kansas basketball coach Phog Allen giving his Jayhawks a pep talk at halftime; UCLA center Lew Alcindor pulling down a rebound over the University of Houston’s Elvin Hayes; North Carolina State University coach Jim Valvano, dazed from a historic upset of Houston, being hoisted onto the shoulders of his players and fans.
Read more of the visually stunning article at NCAA Champion Magazine.